Tag Archives: run

The New, New York ’15 (Part 1): Brooklyn-Queens-Expressway: Manolo Rose

manolo 5

Name: Manolo Rose

Stomping Grounds: Far Rockaway, Queens/ Marcy (Brooklyn)

Breakout year: 2015

Still, in 2015, there is confusion regarding what exactly “New York hip hop” actually is. Most have pigeon-holed the sub-genre into boom-bap, or anyone who raps like Nas or someone from Wu-Tang. My sentiment to those who assume such, is the same as it was last year, everything evolves and there are still dope artists coming from our city that sound nothing like what we’ve heard before. Such is the case with Bed-Stuy-Far Rock fusion of Manolo Rose.

manolo 4

Manolo Rose is in the vein of New York artists like Onyx, Busta Rhymes & DMX. He’s not going to blow you away lyrically, but he uses his energy as his trademark. He has a knack for making memorable hooks, which is noted on his own songs as well as his often show-snatching appearances on other people’s records. The backdrop which perfectly compliments his riot-inducing vocals is usually supplied by Fame-school Slim, one half of the Fame School, an up-and-coming architect on the boards.  When Manolo came with his break-out single “Run Ricky Run” it was the most unorthodox, unconventional banger I’ve heard since Black Rob’s “Whoa”. The beat didn’t actually drop until well into the song and it was confusing DJs all throughout the Tri-state, who were trying to figure out how to work the record in the club. The concept was derived from classic Hood flicks like John Singleton’s “Boyz n tha Hood”, “Menace To Society”. “Juice” and “Harlem Knights”. He cleverly used the movies to define life lessons such as “keeping the grass cut so you can see the snakes come” and to “Never let a nigga get away with nothing”. My mind had trouble adapting to the song at first, but I felt it, and I knew it was something ground-breaking.

manolo 1

With such an impact on a breakout single, it’s tough to say if we’ll ever see an artist again in the era of the one-hit-wonders, but he’s followed up strong. With records like “Fuck 12“, “Gun-Fu” and “Super-Flexin“, he continues to perpetuate the lane that he’s carving out for himself, the anthemic-through-the-roof energy New York city hip hop. He’s building both his brand and his buzz on songs with Harlem’s own Vado, Rowdy Rebel (Of GS9), Rico Love, and of course, the controversial collaboration on Troy Ave’s “All about the money”.

manolo 3

As many have heard, the Troy Ave single was originally Manolo Rose’s “Dope man“, neither artist denies that fact. The concept, the hook and the production is all the same as the original, just with appearances from Troy Ave and BSB’s Young Lito. Though the transfer of the record was a bit jux-like, Manolo Rose kept it business and used it as an opportunity to market himself on a more established artist’s platform, even appearing in the video. He has since denounced any beef between him and Troy ave, charging it to the game, and enjoying the perks that came with the success of the record.

manolo 2

Manolo Rose has grown out of the shadow of his mega-record “Run Ricky Run” and the controversy with Troy Ave, the Edgemere Projects native is also gaining notoriety outside of the hometown. He’s dropping his “Concrete Rose” EP today (June 2nd), set to have features from Vado, Chinx (Riot in Peace !), Dave East, and Cali’s own, Problem. He’s one of the artists that is both creative and daring enough to follow the beat of his own drum, without biting off of the biggest artists of the day or trying to sound like any of the City’s forefathers. It’s artists like Manolo Rose who push both the city and the culture forward, blurring the regional lines that dictate what a city should sound like. He’s just out here making music anyone, anywhere could wild-out too.

manolo show

Side-Bar: I gotta make it out to one of his shows on this “Concrete Rose” tour, anyone whose seen him perform his shit says he makes the records really come to life…

Advertisements
Tagged , , , , , , , , , , , , , , , , , , , ,

Why Throw?

shhhnotears_0_0Heartbreak at it’s worst.

If you go back about a year in time, the question surrounding Superbowl XLVIII was “What Happened to Peyton Manning?”. This year, the question is “Pete Carroll, what the fuck are you doing?” or “Why would you throw the ball on the goal line with the best running back in the league and under a minute of game left?”. This question has been asked so much in the past 10 hours, that it’s almost cliché, but yet, still perplexing. Regardless of Pete Carroll’s accolades and achievements to be, this question will be the anchor that weighs his legacy down. The call he made will live in infamy, being the undercurrent of every conversation regarding his coaching career. People around the NFL or those involved with sports journalism will more than likely keep it politically correct and say something to the effect of “You’re not a coach, you don’t understand how defenses line up or what calling a play in that situation entails“, whatever. The fact of the matter is, 9 out of 10 coaches are banging that shit in with Marshawn Lynch (Pause) for six, for the lead and most likely for the ring. It seemed like all the stars were aligned for the Seahawks to make it two in a row, especially after Jermaine Kearse made a catch that will forever live on Superbowl history highlight reels. With everyone in anticipation of an explanation, Carroll said:

“We sent in our personnel, they sent in the goal line; it’s not the right match up

for us to run the football…So on second down we throw the ball really to kind of

waste the play…”

I get it, at that point you’re trying to avoid Tom Brady getting the opportunity to win the game with any time on the clock. That’s the equivalent of seeing Derek Jeter, in his prime, bottom of the ninth with a man on second and a chance to win the game, or a determined Michael Jordan with the ball in his hands in the 4th Quarter. Despite that level of understanding, even if you are going to pass it, why call that play? why not a little screen pass?. Either way, you can’t take anything from the rookie, Malcolm Butler, who made his first interception at the best time he possibly could.

sb 1brad

Despite the drama, this was one of the most competitive Superbowls to date. Tom Brady performed in his normal fashion when it mattered most. He was moving down field with rhythm, connecting with Rob Gronkowski and Julian Edelman on multiple occasions. Edelman & Brady looked like long time partners in crime, with 9 of 12 passes completed and 109 yards as a duo. Russell Wilson came to play a good game as well, regardless of the call-heard-round-the-world & his struggle to get a completion early on, he finished with an impressive 110.6 passer rating. The pleasant surprise that was Seahawks wide-out Chris Matthews is a bittersweet story. Coming into the game, the man who was a footlocker employee when the season started, had never caught an NFL pass but ended up with some of the biggest completions, as well as a game tying touchdown at the end of the first half. Unfortunately, it was all in a losing effort, due to another Tom Brady happening and Pete Carroll cementing himself as the Bill Buckner of play-calling.

GTY 462644602 S SPO FBN USA AZ sb buck

It’s a shame that this play inevitably overshadows how great Superbowl XLIX really was. This game only furthered the legacies of Tom Brady and Bill Belichick (Still don’t like that prick). Aside from that, it represented two eras overlapping, with the Patriots being the dynasty of the past 15 years (Though the Pats don’t seem to be done yet) and The Seahawks more than likely being the dynasty of the future. Seattle still has a bright future for years to come, as long as all the key elements of this young and vicious team stay in place & in sync.

mc-pictures-super-bowl-49-20150201-250

Sidebar: Stop complaining about The Seahawks defense starting a brawl at the end of the game, that’s what defines them as a team, and if you’re being honest with yourself, you know that’s what makes shit entertaining. Any form of entertainment needs a bad guy, whether it’s sports or movies.

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , ,